After much reworking and hints from the surface, I believe this is complete. Lately, I find the more I look at a work in progress the more the What if? quest...

This image started to emerge as I worked on the canvas that I featured in my last posting. It is the ferry boats spoken of in the Buddhist tale of the differ...

A large cenosphere experimental work on canvas. Start date: 6/11/17 Climate: temp in the 90’s high humidity Dimension: 50 x 38 x 1½ inches Ground surface: ca...

Venice whirling curves of water, stone and the perspective of golden dreams These sketches are powdered pigment and touches of gold leaf on heavy textured p...

Another cenosphere experiment. This time using polyvinyl acetate with additional pigments. This drawing along with 2 others will be included in the 2016 draw...

Working with the cenospheres made of reclaimed carbon emissions has been challenging. The material has a sand like consistency and raises the wet ink when ap...

This drawing is made with hand ground pigment and washes of cenospheres. I'm finding thus far these spheres do not blend well in water based and gum arabic s...

Over the next few months I will be showing a new drawing every week. These drawings will be 15" x 22" and made with homemade ink formulations. An additional ...

‘If you look upon an old wall covered with dirt, or the odd appearance of some streaked stones, you may discover several things like landscapes, battles, clo...

So I’m going to start out far afield with a Yoruba parable from the table of Ifa divination method. This divination parable warns of the effects of grabbing ...

The depth of this labyrinth is as thin as a sheet of paper, yet one can wander in it for miles and hours. As one does the stains, blotches, scratches and irr...

From Sir Richard Gregory … all pictures are impossible: they have a double reality. They are seen both as patterns of lines, lying on a flat background and a...